welcome back everybody earlier today I received.
my new Canon R5 Mark II and I'' ve been examining it out over the last few days and I want to share.
the results of those examinations with you today and provide you my initial impressions one point.
that really sticks out to me which is probably going to come as a little a shock is that they.
relocate the onoff button from the left side of the cam to the best side of the camera therefore I.
have actually changed the cam from photo to video mode concerning a thousand times uh as opposed to turning it.
off so um that'' s a little a nuisance but it'' s mosting likely to take a bit of obtaining made use of to I'' m. sure that you'' ve heard by now that the photons to pictures web site did some vibrant range screening.
comparing the R5 mark1 and the R5 Mark II and they discovered that the brand-new electronic camera in fact had.
slightly even worse dynamic range than the initial camera as a matter of fact the electronic camera is about4 EV even worse.
when it pertains to vibrant array at 100 ISO and at 400 ISO the Mark 1 has 1.33 EV a lot more uh than.
the brand-new camera which is a huge uh jump there so we'' re going to explore that a little little bit at ISO. 800 it ' s generally the same they additionally did some noise testing and located that they were practically.
equivalent besides at ISO 400 in order to figure out if this vibrant array distinction really does make.
a distinction I made a decision to do an examination with Sophia utilizing both cams I began by lights.
the white background with two strip softboxes then I lit her from the front with an optical.
snot and I used the blades inside in order to restrict the light into a square pattern and I.
did so so that there would just be light on the top half of her body and no light at all on her.
black gown I after that closed the drapes and transformed off the lights that I usually utilize to videotape this.
video clip however I did record this display recording of the brand-new camera I'' m shooting pressed raw or C.
Raw on both electronic cameras which I have actually been making use of for the in 2015 and a fifty percent provide or take with the R5.
mark1 the photos were fired with a daytime white physical violence and I refined right out of cam.
pointers making use of Canon'' s electronic image expert I utilized the very same settings for both cameras and I.
didn'' t make any kind of changes during the shoot let'' s start by considering the images that I shot at.
ISO 100 checking out them below at complete display it'' s really hard to inform any type of difference however if I focus.
maybe it'' s clear and if I put a waveform monitor up on the screen you'' ll see that the image from.
the R5 Mark II does have a little deeper blacks if you'' re not familiar with waveform displays.
they'' re made use of in video clip in order to make sure that you'' re getting your exposure right it reveals you.
the tones from left entrusted to right in your photo and after that it measures them on a scale with absolutely no at.
the base and 100 at the top pure black and pure white you'' ll notice that the scale does not.
touch the no line significance that none of the blacks are actually clipped if we take a look at it at.
ISO 400 I can inform that the Mark 1 has brighter blacks and the waveform display does show this.
yet again the blacks don'' t go down to 0 % at 800 is so there is no considerable difference in the.
waveform which verifies the photons to photos checking if I raise the direct exposure by three quits.
in DPP you'' ll see the very same distinctions here at 100 400 and 800 so all is regarding be anticipated however.
none of the blacks were pure blacks which makes me assume that I'' ll have the ability to recuperate these.
with some extra sophisticated postprocessing while I typically make use of capture one I was able to.
take the photos right into the recently upgraded Lightroom and recuperate the shadows in the iso 400 image I''
ll. be expecting August 28th when capture one is meant to release the shade profiles for.
this camera and afterwards I'' ll have the ability to check out the postprocessing of the photos much more clearly but.
the truth that the blacks are not striking the absolutely no line does tell me that there'' s information there.
that is greater than most likely recoverable if you could take simply a moment to such as subscribe and join.
for the bell I would really value it also if you can click on the web links in the description or.
on display that will assist support me to make more videos like this one so let'' s speak about our next
. examination this time I intend to shoot regular raw so you can see what that resembles and I'' m additionally going to. produce a painterly picture utilizing my elen Chrome 190 cm indirect octabox right here on the right side.
of the established feathery in front of sopia I would usually utilize a fill resource for this kind of shot.
maybe one more light but it'' s frequently going to be a VF flat from vlat globe however I didn'' t do it. on this shoot today because I desired those blacks to go as dark as possible I did leave the video clip.
lights on while videotaping um this examination and right here'' s a framework shot at iso800 without Flash and you can.
see that every little thing is basically black so those video clip lights weren'' t actually having a huge impact.
on the store allow'' s consider our initial examination right here fired at ISO 100 as soon as again the R5 mark1 photo is on on.
the left and the R5 Mark II picture is on the best however she turned the ladder below a little.
bit um during these shots so when I focus below I'' m going to pan over slightly or all the way.
to the left so I can reduce the impact of the ladder since I think that there is some pure.
black there under each one of the steps so you can see below with the waveform display that there is a.
bit of a distinction yet actually not much of a distinction at ISO 400 aside from the representations.
on her nails the two images are generally equivalent and according to the photons to pictures test we.
must see a dynamic array distinction right here in the shots but I put on'' t in fact see it at iso800. the two images look generally the same but I do believe there is some pure black below below.
the steps on the ladder currently allow'' s consider the images improved up three quits the background following.
to the trunk might have much more detail but I can tell in the waveform screen that nothing is pure black.
so it needs to all be recoverable I assume the key takeaway here is that there is a mild difference.
and there is a little bit more tonality there in the R5 mark1 photo but again nothing is pure black.
so I wear'' t believe that it ' s mosting likely to matter that much and I think it would most likely only matter. if you really messed up majorly and you needed to correct things since you must be on collection.
doing things extra properly and using a fill light if you'' re really wanting detail in those.
areas and the concept that I would certainly desire to see Det TA in her uh black gown because particular.
situation when I understand that there'' s zero light on it is a little absurd nevertheless after seeing.
the outcomes from photons to images I think I will attempt to fire at ISO 100 if I can in the future.
due to the fact that it will give me the most affordable sound and the best vibrant array I really didn'' t understand up until.
I saw their examination that as you increase the iso you decrease the vibrant variety and had I recognized that.
prior to I most likely would have kept shooting um trying to fire more probable than not down at at.
ISO 100 which'' s what I ' m mosting likely to do below uh entering into the future so I wish to take a second.
to speak about video clip so throughout the last 5 years that I'' ve been uh making YouTube video clips I'' ve been.
making use of a c200 or a C70 to fire these videos of me sitting right here chatting and on unusual occasions I did.
use an R5 however I didn'' t actually like it since I have to fire clog 3 on the R5 and I enjoy.
shooting clog 2 actually the L that I utilize all the time is a clog 2 L when I saw that the brand-new R5.
Mark II had blockage 2 I was actually thrilled about that since it made it possible for me to switch over from.
making use of two cameras for digital photography my main and my backup and two cameras for video clip both angles.
that I'' m constantly tape-recording for this Network or when benefiting clients that I could switch over from.
those four electronic cameras and just obtain 3 electronic cameras that coincided electronic camera the R5 Mark I so this seems.
to be an extremely interesting possibility therefore I desired to check that out therefore I did an examination here in my.
office wear'' t mind my relaxing [__ ] face I think I mored than the 4 hours that I spent establishing.
up the electronic camera and the manual and I shot 4K the finest quality 4K that each cam can shoot.
the setups on both electronic cameras were exactly the exact same and as you can see the C70 video looks.
to be about one quit brighter after that I included the L that I usually make use of and finally I tried to grade.
the video to ensure that they looked the same then I evaluated both video cameras in 4k lengthy op I applied.
the L and after that I rated the video footage and I assume you can see that the R5 Mark II is just as good or.
possibly much better than the C70 here is the R5 Mark II with the best quality 4k left wing and the.
long op on the ideal my beard may be sharper on the left however is it worth three times the amount.
of information next I wished to evaluate out how the C70 and the R5 Mark I operate in the side angle that I.
normally fire in my workshop this time I gave the R5 Mark II one extra stop of direct exposure on both.
cams I utilized my Sigma art 14 mm but the C70 does have the speed booster on so I recognize it'' s
not. quite reasonable yet the genuine concern here is can the R5 Mark II replace my C 70 I evaluated both cams.
with the drapes shut and the drapes open and the R5 Mark II appears to have more comparison and.
intensity so it actually does appear like this new electronic camera can change my cinema cam to ensure that'' s. actually interesting over the following couple of weeks I desire to test out the video camera a lot more shooting even more video.
and shooting even more images and I'' m actually looking forward to August 28th when Capture One updates.
and afterwards I can ultimately check out the pictures in blog post uh using the programs that I'' m used to making use of and.
in situation you were wondering this video clip today was fired on the R5 Mark II in my teleprompter making use of.
a 35mm 1.8 shot in 4k HQ lengthy op and I activated the digital is because the 35mm was just kind of.
a little as well short I formerly was using my C70 with my 28 to 70 and I would use that lens at 28.
mm and so um that was roughly the very same framing that you'' re seeing today but um on that.
camera I was not always excited about I really felt like the corners curved a little with that said lens.
and points were a little distorted and I actually didn'' t like it so hopefully making use of the electronic.
is doesn'' t make uh that big of a distinction please let me recognize in the remarks below just how you.
really feel about the video clip from this camera and if you really feel that it looks equally as good as the video made use of.
to look that I would certainly shoot with the C70 of me uh resting below in my office additionally allow me recognize what.
you consider the photos and the difference in the dynamic range and if you can please click.
on the web links that got on display and in the summary that'' ll aid sustain me to make even more.
videos such as this and I would truly appreciate it so thanks so a lot for your time I wish that.
you have a fantastic day and I'' ll talk with you quickly.
